Murray makes his triumphant return with “The Bee Sting,” a tragicomic tale about an Irish family grappling with crises. The Barneses — Dickie, Imelda, Cass and PJ — are a wealthy Irish clan whose fortunes begin to plummet after the 2008 financial crash. But in addition to this shared hardship, all four are dealing with demons of their own: the re-emergence of a long-kept secret, blackmail, the death of a past love, a vexing frenemy, a worrisome internet pen pal and more. The novel threads together the stories of the increasingly isolated Barneses, but the overall tapestry Murray weaves is not one of desolation but of hope. This is a book that showcases one family’s incredible love and resilience even as their world crumbles around them.
A dystopian satire in which death-row inmates duel on TV for a chance at freedom, Adjei-Brenyah’s debut novel — following his 2018 story collection, “Friday Black” — pulls the reader into the eager audience, making us complicit with the bloodthirsty fans sitting ringside. “As much as this book made me laugh at these parts of the world I recognized as being mocked, it also made me wish I recognized less of it,” Giri Nathan wrote in his review. “The United States of ‘Chain-Gang All-Stars’ is like ours, if sharpened to absurd points.” Amid a wrenching love story between two top competitors who are forced to choose between each other and freedom, the fight scenes are so well written they demonstrate how easy it might be to accept a world this sick.
De Kerangal’s brief, lyrical novel, first published in France in 2012 and newly translated by Jessica Moore, follows a young Russian conscript named Aliocha on a trans-Siberian train packed with other soldiers. The mood is grim. Aliocha, unnerved by his surroundings after a brawl, decides to desert — and in so doing, creates an uneasy alliance with a civilian passenger, a Frenchwoman. Their desolate environment — de Kerangal describes the Siberian landscape as “a world turned inside out like a glove, raw, wild, empty” — only heightens the stakes. “The insecurity of existence across this vastness and on board the train emphasizes the significance of human connection,” our reviewer, Ken Kalfus, wrote. “In a time of war, this connection may bring liberation and salvation.”